Wednesday, November 11, 2015


(from the Official Jody Scott site)


Hey, kids - how'd you like a free copy of I, Vampire: Book 2 Of The Benaroya Chronicles ... soon to be in print again for the first time in 30 years?

Here's how it works:

From the all correct answers to the question below will be selected one winner at random to receive a free e-book of I, Vampire.

Send your answer to DO NOT post your answer here, that will not count as an entry and it will give away the answer.

Here's the question: (From Passing For Human) the robots on Benaroya's ship Vonderra took their likeness from which "minor twentieth century president?"

Again, send you answer to and also be subscribed to Mary Whealen's personal bi-monthly e-letter about all things Jody Scott: with announcements and exclusive content and more chances to win free goodies!

Contest closes November 30th. So send those entries in today to

Out Now After Almost 40 Years: 
The Surreal Feminist SF Classic, 
By Jody Scott
Out Now on Kindle!

Tuesday, October 13, 2015


(from Ernest Hogan's Mondo Ernesto blog)

Hang onto your nalgas, carnalito/as, my “Chicanonautica Manifesto” is in Aztlán: A Journal of Chicano Studies, Volume 40, Number 2, Fall 2015!

It's part of special section called “Dossier: Latino Speculative Literature, Film and Popular Culture.” They even used some of my drawings to illustrate the introduction.

Along with my manifesto is an essay: “From Code to Codex: Tricksterizing the Digital Divide in Ernest Hogan's Smoking Mirror Blues” by Daoine S. Bachman.

Also discussed are Chicanafuturism, Latino@futurism, Jamie Hernandez's comics, Afro-Latina and Mexican immigrant heroines, Chicana/o cyberpunk, Gloria Andzaldúa's sci-fi roots, speculative rasquashismo, and Chicano@futurist visual art!

Order yours now!


Monday, October 12, 2015

Kicking And Screaming: A Previously Unseen Story By Jody Scott!

(from the estate-authorized Jody Scott site)

\We are tremendously thankful to Mary Whealen for this very special treat: a previously unpublished story by Jody!

Kicking And Screaming
By Jody Scott

Naked we come into this world and handsomely outfitted in a new pinstripe from Big & Tall, complete with a foulard tie, we go out of it.

At any rate that’s what happened to Nettie Polotnik’s husband Phil who had been dead nine years to the very day when our story begins. Philip Hart Polotnik had never been neat while he was alive (Phil died at age fifty-six, his skull broken in a car crash); he drank like a fish, played poker all night long and smelled like the nasty brown cigars he smoked (and those cigars were what killed him, according to Nettie! If it hadn’t been that accident it would have been emphysema like the late Johnny Carson). Nettie herself was the neat one in the family. Their four children, Michael, Tim, Meredith and Polly, now grown-and-gone were about average on the neatness scale, with son Timmy (once a juvenile delinquent, today a world famous oncologist; can you believe such a turn of events?) being the sloppiest of the lot, Nettie was thinking as she hummed somewhat happily while cleaning out the fridge.

Funny how much junk gets collected when a person lives alone. Now why was there an open, moldy (covered with a crawling, green, slimy fuzz; ick! The smell of it—phew! Into the garbage it went)—can of tuna when the only person in this family who even liked tuna was daughter Meredith who lived in New Rochelle and had four children of her own? You’d think—but never mind what you’d think; Nettie didn’t want to dip into that old barrel of pain, regret and sorrow, why should she? She was alive, vibrant and happy, she liked living alone in peace and quiet and most of all you can’t change the past so why bother yourself with it?

“I don’t know about that,” Phil said. “Reality isn’t exactly what we always thought it was, honey.”

Her husband was sitting across the table in his new pinstripe suit, smoking a cigar and drinking coffee which was all wrong because he’d been dead for nearly a decade. . And yet—!

“I’m not going to argue with you so butt the hell out,” Nettie snapped. Feeling tired, she didn’t have time to argue the same foolish old arguments, she had a dental appointment in an hour and had to buy gas on the way (running out of gas was always so embarrassing) and then grocery-shop. But she felt strange, very strange indeed. And there certainly wasn’t any use in snapping at poor dead Phil about it because the poor guy wasn’t even alive for mercy sake!…

Something was happening to Nettie and she had no idea what, except that she was terribly dizzy and before you could say “Poof!” she was sprawled on the floor in her ratty old blue bathrobe that had come untied and was all rucked up under her. There wasn’t much pain, except for a clutching in the chest (it reminded her of Valentine’s Day in school when the kids all exchanged hearts, big shiny paper hearts that said “Be mine!” with a pretty lace banner across the front of them) but this was different, because—

Suddenly Nettie found herself up at the ceiling looking down at her body. She hadn’t realized how filthy it was up here—the entire ceiling could use a good scrubbing but most especially the overhead fixture; there were dead flies in the globe, quite disgusting but that wasn’t the worst of it.

The worst of it was: leaving that funny-looking hunk of clay all sprawled out, its butt showing, right in the middle of her scrubbed kitchen floor for someone else to find which was awful but she couldn’t do anything about it, so—

“What were you saying dear?” she asked Phil but Phil was long gone, so Nettie hurried so she wouldn’t be late—very sorry about the mess on the floor but wasn’t that the way life always ended?—so no use worrying about it. Sad, but true; and with a sigh, Nettie herself was out of there.

Out Now After Almost 40 Years: 
The Surreal Feminist SF Classic, 
By Jody Scott
Out Now on Kindle!

Thursday, August 27, 2015

Back In Print After Almost 40 Years: The Surreal Feminist SF Classic, PASSING FOR HUMAN By Jody Scott

Own it for $2.99!
Free on KindleUnlimited

Considered by i09 as "One Of The 10 Weirdest Science Fiction Novels That You've Never Read" Digital Parchment Services, and the estate of Jody Scott, is thrilled to announce the republication of Passing For Human!

"I liked Passing for Human." –Neil Gaiman

Passing For Human is the beginning of The Benaroya Chronicles trilogy, continued in the soon-to-be-released I, Vampire and concluding with Scott's never-before-published final book in the series!

"A joyously and at times scatologically tangled Satire of the post-industrial Western world from a Feminist point of view that wittily verges on misandry." -The Encyclopedia of Science Fiction

Passing for Human Or
Who Isn't Afraid Of Virginia Wolf?
A 36-foot
Extraterrestrial "dolphin"
In the role of:
"Brenda Starr"
"Emma Peel"
Mary Worth
And a happy New Guinea hoptoad

With an all-star cast including
Abraham Lincoln
Jennison, the Kansas Jayhawker
Heidi's Grandfather
General George S. Patton
The Los Angeles Police Department
The Prince Of Darkness
The Royal Canadian Mounted Police
Ancient Egypt
The Isle of Capri
Interstellar Station 8
Four billion newly created people
And several hundred Richard Nixons

When a dolphin-like alien comes to Earth disguised in a female human body, it sets the stage for a wild feminist romp that out stranges Stranger in a Strange Land!

"The pace of the story never lets up, yet it finds room for serious contemplation of humanity’s woes. The style is easy, with an edge of noir. The central character is a bit of a tough girl which, mixed with her naivety about humans, makes for an intriguing and likeable character. Especially as she (in common with the other aliens) inhabits bodies she has chosen from Earth culture – Brenda Starr, Emma Peel, and Virginia Woolf. Who could not like that, especially the final scenes in which Virginia Woolf is involved in a running gun battle. The humor, pace, and wry observation make this a rare and wonderful beast – a serious science fiction novel that doesn’t take itself seriously."
– Graeme K Talboys, grumbooks Review

"The novel leaps along with an energy and a disregard for convention that reminds me a little of genre outsiders like Barry Malzberg and possibly Josephine Saxton in that this reads like a romp through the Collective Unconscious. A closer comparison might be with the early novels of Ishmael Reed who shares with Scott a vitriolic contempt for seemingly all and everything, sniping and satirizing hilariously along the way.  Jody Scott’s wild imagination, seemingly scattershot but tightly controlled, makes Passing For Human an absurdly comic romp of unexpected juxtapositions and witty asides. Good examples of what SF can do when it steps out of its comfort zone, and of how women’s SF can challenge the genre assumptions by challenging its tropes and its language. Take a look, see what you think."
– Performative Utterance

This Strange Particle Press release features Barry N. Malzberg's original 1977 introduction, and a special forward by Jody Scott's heir and life partner, Mary Whealen.

Passing for Human (The Benaroya Chronicles) By Jody Scott


FREE on KindleUnlimited for a limited time!

Paperback edition coming September 15th


The estate-authorized Jody Scott site (

Digital Parchment Services (

For information please feel free to contact

Sunday, August 23, 2015

Out Now: The Unauthorized Guide To Trek: The Complete TOS Crew Book By James Van Hise

“A gem of a book...every Trekkie and sci-fi fan needs this on their shelf.” —Goodreads

The classic, complete guide to both the crew of the Starship Enterprise and the actors and actresses who brought them to life.

Written in the 1990s, this acclaimed book covers the all the members of the original crew: Kirk, Spock, McCoy, Uhura, Scotty, Sulu, Chekov and Chapel. It’s filled with profiles of each character, biographies of the stars who played them, as well as in-depth conversations with the actors.

Trek fans will learn things they never knew, and gain new insights into William Shatner, Leonard Nimoy, Nichelle Nichols, DeForest Kelley, James Doohan, George Takei, Majel Barrett, and Walter Koenig.

The Complete TOS Crew Book is written by media journalist James Van Hise, creator of the much-beloved Enterprise Incidents magazine. Van Hise has been hailed by the Star Trek Expanded Universe Wiki as “The eminent Star Trek reference book author.”

You'll also find rare publicity stills and personal photos, taken by the author, of the actors themselves.

Bonus: Brand new caricatures of each crew member, especially commissioned for this book, by the award-winning political cartoonist and Filmation animator, Darryle Purcell. Plus a preface by Mr. Purcell on the role Star Trek played in his life.

Wednesday, July 22, 2015


(From The Best Of Fate Site)

“FATE is about UFOs, the paranormal, all that stuff. I find it fascinating!” says Stephen King.

 OWN FOR ONLY $2,99!

This book contains 25 true reports of real-life encounters with the paranormal and the supernatural; accounts which are, indeed, stranger than fiction. Drawn from the files of FATE—the magazine Stephen King says gave him many of his “best ideas”, and the world’s leading publication of the strange and unknown—the testimonials in this series come from a wide variety of people, places and decades.

To read this book is to enter the world of ESP, prophetic dreams, magic, ghosts, poltergeists, miraculous healings, the occult, and the supernormal. You may begin reading this classic collection as a skeptic, but we are sure you will be more of a believer by the time you finish.

Here are just a few of the fascinating, thought-provoking reports and personal accounts you will find in this fantastic-but-true book, personally selected by the editors of FATE Magazine:

  • Eye-witness to a Miracle Healing
  • We Heard Voices from the Dead
  • The Exorcist Fought Five Demons for One Woman’s Soul
  • The Navy Blimp Returned to Earth—Minus its Crew
  • The Witches’ Salve
  • The Little Man Who Was Sometimes There
  • ESP Demonstrated in Cross-Country Test
  • Ghost Soldier in Their Attic
  • Two Watches Stopped at the Moment of Death
  • The Poltergeist That Could Write
The World’s Strangest True Encounters is an extraordinary collection of extraordinary tales by those who have encountered the inexplicable, and of first-hand investigations by FATE’s writers into reports of the extraordinary and unexplained.

Wikipedia calls FATE “the longest-running magazine devoted to the paranormal. …it has published expert opinions and personal experiences relating to UFOs, psychic abilities, ghosts and hauntings, cryptozoology, alternative medicine, divination methods, belief in the survival of personality after death, Fortean phenomena, predictive dreams, mental telepathy, archaeology, warnings of death, and other paranormal topics.” FATE is true journalistic pioneer. Launched in 1948, it covered controversial topics like electronic voice phenomena, cattle mutilations, life on Mars, telepathic communication with animals, and UFOs at a time when discussing such things was almost taboo. Recently, FATE celebrated the 67th anniversary of its founding and the publication of its 727thissue, a rare feat of longevity achieved by only a select few U.S. periodicals.

FATE hopes you enjoy the books in FATE's Library of the Paranormal and the Unknown.

William Rotsler Obituary - Excerpt From Locus Magazine, November 1977

(from the William Rotsler site)

William Rotsler, 1926 - 1997

William Rotsler, author, artist, sculptor, photographer, and cartoonist extraordinaire, died suddenly October 18, 1997, at the home of his friend, Paul Turner. He recently had throat cancer surgery. In the last few years, he had a heart attack and bypass surgery, and various other severe illnesses.

Rotsler's cartoons and drawings delighted and amazed friends and fans for 50 years. In 1996, he was given Hugo and Retro-Hugo awards for work 50 years apart. He won his fifth Best Fan Artist Hugo Award just this year. His spare, laconic drawing style masked an ability to look at life, described by Harry Warner in A Wealth of Fable, as "funny on the surface, terrifying a millimeter beneath to anyone whose eye could penetrate."

William Rotsler was born 3 July 1926 in Los Angeles, California. He worked on a ranch in Camarillo as a teenager, and served in the U.S. Army from 1944 to 1945, learning the profession of photographer. He discovered fandom in the mid-'40s and was part of the Los Angeles fan scene for over 50 years. He attended Los Angeles County Art Institute, 1947-50, and worked as a sculptor of mainly outdoor modern work from 1950 to 1959, then gave it up to become a photographer, filmmaker, producer, director of commercials, documentaries, etc. He worked mainly in the "erotic" industries, selling photos to Playboy, writing columns for Knight and other men's magazines, writing, directing, or acting(!) -- or some combination of these -- in such movies as The Agony of Love (1966), Notorious Daughter of Fanny Hill (1966), Shannon's Women (1969), and The Secret Sex Life of Romeo and Juliet (1970). He frequently used fan friends as extras in his movies. This part of his career mostly ended by the '70s. During all this, his prodigious output of cartoons and drawings continued unabated. He was fan Guest of Honor at the World SF Convention in 1973.

He also became a professional writer in the '70s, first producing non-fiction book Contemporary Erotic Cinema (1973) and then his first and best novel, Patron of the Arts (1974). To the Land of the Electric Angels (1976) was also noteworthy. He collaborated with Gregory Benford on Shiva Descending (1980). Most of his books were movie and TV tie-ins or children's fiction such as Tom Swift books with Sharman DiVono under the name of Victor Appleton, Jr. His most recent book was Science Fictionaries (1995), a collection of sayings and quotes from SF writers.

(posted 21 Oct; excerpted from the obituary to appear in Locus Magazine, November 1997)

Saturday, June 13, 2015

Publisher's Weekly On Arthur Byron Cover's Wild Scifi Ride Autumn Angels!

(from the Arthur Byron Cover site)

Here's a real treat: a review of the new edition (from Digital Parchment Service's Strange Particle Press imprint) of Arthur Byron Cover's fantastic scifi novel, Autumn Angels from Publisher's Weekly:

"This strange novel-parable launched Cover’s long SF career in 1975. A repulsive demon, a black-derbyed lawyer, and a white-suited fat man plot to bring morbid depression to their race of godlike men, giving them purpose to master the universe. Their instrument is a pathetic crawling bird, whose heart-aching song of lament at its inability to fly causes listeners to feel anger and disappointment. Out of this quirky start, Cover swirls a phantasmagoric slew of allusions, quasi-references, and escapist "sampling" into something Harlan Ellison’s introduction calls "entertainingly meaningful."
- Publisher's Weekly

DPS RE-RELEASES WILLIAM ROTSLER'S CLASSIC The Golden Age Of Erotic Cinema (1959-1972)

The Golden Age Of Erotic Cinema (1959-1972)

William Rotsler’s book "from the start of the porno-chic age provides contemporary perspectives and valuable insights into soft- and hard-core." -John Minson, Bright Lights Film Journal

Digital Parchment Services and the estate of William Charles Rotsler are proud to announce the republication of The Golden Age Of Erotic Cinema (1959-1972) (originally published as Contemporary Erotic Cinema) – a groundbreaking examination and celebration of early adult films by the man who helped make those years so special!

William Rotsler (b. 1926 – d. 1997) was truly a renaissance man: acclaimed sculptor, filmmaker, photographer, reporter, novelist, illustrator, cartoonist, and the recipient of multiple awards and award nominations.

But first and foremost, William Rotsler was a visionary erotic filmmaker, acclaimed for such "cult classics" (Wikipedia) as Agony of Love, Lila (Mantis In Lace), Street of a Thousand Pleasures, The Godson, and Like It Is!, among others. During the 1960s he directed dozens of short and feature length films. Frequently working with Harry Novak of Boxoffice International fame, William Rotsler filmed many of the legendary actresses and models of his time, including Diane Webber, Virginia Gordon, Vincene Wallace, Pat Barrington, Gloria Saunders, Cathy Crowfoot, Joanne Rotolo, and Vicky Dee.

Back in print for the first time in 40 years, The Golden Age Of Erotic Cinema is William Rotsler's view of the rise and flowering of adult filmmaking in the 1960s, beginning with the films of Russ Meyer, through to the phenomenal success of Deep Throat – the movie that put adult films on the map – to Behind the Green Door, and so many others. It takes readers behind the scenes for a look at the making of erotic movies, presents up-close-and-personal interviews with stars and producers, and concludes with an "Erotic Cinema Checklist" rating the heat level and and quality of over 100 erotic movies of the era!

Over the years since its original publication The Golden Age Of Erotic Cinema has as achieved the status of a classic on its subject. Eric Schaefer, Associate Professor of Visual and Media Arts at Emerson College hails the book for its "valuable insights" and unique lived perspective..."

And William Rotsler was a man uniquely qualified to write it. "His experience [as writer and director] within the sexploitation industry made him a prominent commentator on the screen's explicit sexual realism," writes David Church in "Between Fantasy and Reality: Sexploitation, Fan Magazines and William Rotsler's 'Adult Only' Career." In his writings, Church says '...Rotsler knowledgably ... championed the underground cinema movement for creating 'sexy and beautiful' films that 'say ... important things' as a visible part of broader social changes in sexual mores..."

Join William Rotsler as he takes you behind-the-scenes of Golden Age adult films to cover:

Deep Throat
Behind the Green Door
The Devil In Miss. Jones
Linda Lovelace
Russ Myer
The Mitchell Brothers
Marilyn Chambers

–And much much more!

The republication of The Golden Age Of Erotic Cinema is a major event. It’s a "must-have" for any one interested in erotic films, their history and making.

The Golden Age Of Erotic Cinema (1959-1972)
FREE on Amazon Unlimited for a limited time
Paperback edition coming soon!


The estate-authorized William Charles Rotsler site (

The estate-authorized William Charles Rotsler site – featuring his adult films and photography (

Digital Parchment Services (

For information please feel free to contact

Thursday, June 11, 2015

See and Hear Ernest Hogan On High Aztech!

(from the Ernest Hogan site)

As part of the celebration of the imminent re-release of Ernest Hogan's incredible Chicano science fiction tale, High Aztech, here's a video interview with Ernest himself, via LATINOPIA WORD!

Jody Scott's Passing For Human: One Of "10 Weirdest Science Fiction Novels That You've Never Read" from iO9

(from the estate-authorized Jody Scott site)

As a pre-re-release of Jody Scott's legendary science fiction fan-favorite novel, Passing For Human (coming from Digital Parchment Service's Strange Particle Press imprint) here's this wonderful book's listing as one Of "10 Weirdest Science Fiction Novels That You've Never Read" from iO9:

7. Passing for Human, by Jody Scott (1977) 
Benaroya is a giant space dolphin who's only interested in pleasure, until she decides to study humans. To do this, she disguises herself as Brenda Starr, the girl reporter from the newspaper comics. As she tells one human, "You might say I try to relate in a meaningful, concerned way to autochthonous bipeds in general." Later, Benaroya disguises herself as Emma Peel (from The Avengers) and author Virginia Woolf. Other members of her species are disguised as Abraham Lincoln and George S. Patton, while their support drones look like Richard Nixon. While disguised as Virginia Woolf, Benaroya gets herself captured by a race of psychopathic aliens who want to destroy the Earth, and you get a weird scene where Virginia Woolf debates whether it's a bad thing to fall in love with the leader of a group of genocidal alien psychopaths.

Wednesday, June 10, 2015

The Celebration Of The Re-Release of Bill Rotsler's Golden Age Of Erotic Cinema Was A Hit - and Then Some!

(from the William Charles Rotsler site)

Thanks to the Center For Sex And Culture, the Estate Of William Rotsler, The William Rotsler Virtual Museum, and all the great folks who came out over the last three weeks to check out some great Bill Rotsler's artwork and photographs, enjoy his marvelous adult movies - and help celebrate the re-release, after 40 years, of The Golden Age Of Erotic Cinema!

We'll be posting pictures, videos and a lot more very soon but in the meantime check out these shots - and be sure and pick up a copy of this beautiful new edition of Bill Rotsler's definitely book on The Golden Age Of Erotic Cinema ... out now!

Saturday, June 6, 2015

Friday, May 29, 2015

First Night Celebrating ReRelease of William Rotsler's Golden Age Of Erotic Cinema Was A Hit!

(from the William Charles Rotsler site)

Thanks to all the great folks who came out to the first night of the three week celebration of the rerelease of Bill Rotsler's Golden Age Of Erotic Cinema!  It was a blast and a half!

And if you couldn't make it last week, a special retrospective of Bill's erotic work - plus one or two of his films - will still be shown this Saturday, May 30th ... and there'll be very special concluding event on Saturday, June 6th with guests and door prizes!

For tickets to these fun nights just click here

Check out this fun video of last Saturday's event!

Thursday, May 21, 2015

Setting Up For the Celebration Of William Rotsler's Adult Films And Photographs - And The ReRelease of Golden Age Of Erotic Cinema!

(from the William Charles Rotlser site)

Check out these fun photos of our prep for the very fun three week celebration of William Rotsler's adult photos and films ... as well as the new edition of his groundbreaking Golden Age Of Erotic Cinema.  

The event should be fun-and-then-some!  See you then for a video tribute to Bill Rotsler, some of his adult films and shorts, a gallery of his magazine work and photos, door prizes and so much more!

Monday, May 18, 2015


(from Mondo Ernesto)

Here's what they had to say:

Hogan's debut, first published in 1990, introduced the subgenre of Chicano SF to a startled, dazzled American audience. Now, 25 years later, the book's Spanglish prose and freeform plot still amuse. All Pablo Cortez cares about is creating art, whether it's humongous graffiti sprayed across Los Angeles or zero-gravity paint slinging in space. Uncool authorities and timid collaborators can't stop him. When he confronts the alien Sirens of Jupiter, who have zapped the minds of earlier explorers, he takes their overwhelming flood of bizarre images as subject matter for new masterpieces. Hogan keeps Pablo's obsessive rants from becoming too intense by working them into a collage of comments from friends and enemies, along with hefty chunks of Aztec mythology, as he builds a jangling, rambunctious picture of artistic genius. This is tons of fun for freethinking readers who appreciate heroes with cojones. (Mar.)

Saturday, May 2, 2015

Special Three-Week Event Celebrating The Rerelease of the The Golden Age of Erotic Cinema

(from the William Charles Rotsler site)

Digital Parchment Services Is Proud To Announce
The First Re-Publication In 40 Years
Of William Rotsler's Classic Look At
The Golden Age Of Erotic Cinema (1959-1972)

A Special Three-Week Program Featuring
The Adult Films And Photography
Of William Rotsler!
Kicked-off May 23rd with a Book Launch Party
With Door Prizes

For Immediate Release:

The estate of William Rotsler, San Francisco's Center For Sex And Culture, and Digital Parchment Services are proud to announce a very special three week series of events (May 23 – June 6) celebrating the launch of a new, enhanced edition of the legendary writer-director's controversial look at the 1960s birth of the adult film: The Golden Age Of Erotic Cinema (1959-1972).

Reserve the dates of Saturday, May 23 (special book launch party); Saturday, May 30; and Saturday, June 6 (doors open at 6:00PM, show beginning at 7:00PM and concluding at 10:00PM).

William Rotsler (1926 – 1997) was truly a renaissance man: acclaimed sculptor, filmmaker, photographer, reporter, novelist, illustrator, cartoonist, and the recipient of multiple awards and award nominations.

But first and foremost, William Rotsler was a visionary erotic filmmaker, acclaimed for such "cult classics" (Wikipedia) as Agony of Love, Lila (Mantis In Lace)Street of a Thousand Pleasures, The Godson, and Like It Is!, among others.  During the 1960s he directed dozens of short and feature length films.  Frequently working with Harry Novak of Boxoffice International fame, William Rotsler filmed many of the legendary actresses and models of his time, including Diane Webber, Virginia Gordon, Vincene Wallace, Pat Barrington, Gloria Saunders, Cathy Crowfoot, Joanne Rotolo, and Vicky Dee.

Back in print for the first time in 40 years, The Golden Age Of Erotic Cinema is William Rotsler's view of the rise and flowering of adult filmmaking in the 1960s, beginning with the films of Russ Meyer, through to the phenomenal success of Deep Throat – the movie that put adult films on the map – to Behind the Green Door, and so many others.  It takes readers behind the scenes for a look at the making of erotic movies, presents up-close-and-personal interviews with stars and producers, and concludes with an "Erotic Cinema Checklist" rating the heat level and and quality of over 100 erotic movies of the era!

Over the years since its original publication The Golden Age Of Erotic Cinema has as achieved the status of a classic on its subject.  Eric Schaefer, Associate Professor of Visual and Media Arts at Emerson College hails the book for its "valuable insights" and unique lived perspective..." while John Minson in Bright Lights Film Journal says the book, "from the start of the porno-chic age," provides "contemporary perspectives and valuable insights into soft- and hard-core..."

And William Rotsler was a man uniquely qualified to write it.  "His experience [as writer and director] within the sexploitation industry made him a prominent commentator on the screen's explicit sexual realism," writes David Church in "Between Fantasy and Reality: Sexploitation, Fan Magazines and William Rotsler's 'Adult Only' Career."  In his writings, Church says '...Rotsler knowledgably ... championed the underground cinema movement for creating 'sexy and beautiful' films that 'say ... important things' as a visible part of broader social changes in sexual mores..."

The republication of The Golden Age Of Erotic Cinema is a major event!

That's why Digital Parchment Services and The Center For Sex And Culture are planning a special three-week-long event to celebrate it beginning Saturday, May 23 with a don't-miss book release party featuring a video recap of William Rotsler's life and work, including trailers for his erotic movies, personal reminiscences from friends, a showing of one of his notable films, and wine and cheese afterward.

The following two Sundays will feature more clips and trailers plus one or more of William Rotsler's ground-breaking erotic films. And throughout all three weeks, there will be a special gallery exhibition of posters for his movies, samples of his erotic photography, and reproductions of his adult cartoon work on display at the San Francisco's Center for Sex And Culture!

Be sure to join us for the May 23 kick-off book release and the special video presentation on William Rotsler's life and work.

The Center for Sex And Culture
1349 Mission St, San Francisco, CA 94103

Saturday, May 23 (book launch party): Doors at 6:00PM.  Event 7:00PM to 10:00PM
Saturday, May 30: Doors at 6:00PM.  Event 7:00PM to 10:00PM
Saturday, June 6: Doors at 6:00PM.  Event 7:00PM to 10:00PM

DONATION (suggested):
$10 per evening

The estate-authorized William Charles Rotsler site (

The estate-authorized William Charles Rotsler site – featuring his adult films and photography (

Digital Parchment Services (

For information please feel free to contact

Monday, April 27, 2015


(from Ernest Hogan's Mondo Ernesto)

They mock the secessionist petitioners in Texas and other states, celebrate the infestation of even the smallest American heartland towns by African, Asian and Aztec cultures . . .

The above is a quote from Vox Day, one of the puppies who has caused the current shitstorm over the Hugo awards. For those of you who have not seen the wide-ranging media coverage this story is getting, a bunch of guys who don't like the trend in diversity in speculative fiction hijacked the nominations of the Hugos, throwing the future of the awards into doubt. Personally, I haven't paid much attention to the Hugos (or the Nebulas) in decades, but this is starting to hit close to home.

Because, Aztecaphobia is alive and well!

They're afraid of Aztecs coming to their hometowns. The Wild West stereotype of the blood-thirsty, half-breed never died. In Arizona, we still hear people talking about rumors of cannibalism and human sacrifice in the barrio. Schoolchildren speaking Spanish can trigger panic attacks.

Or as a little old lady from Phoenix once said, “We don't want downtown smelling like tacos!”

I've always considered the smell of tacos to be a sign of an advanced civilization.

The idea of an Aztec future must be their worst nightmare. I wonder if they've read any of my books or stories?

Dell Harris' cover painting (he called it “Scorpio”) for the self-published High Aztech ebook must put stains in their underwear.

If you want to get that edition, with that cover, you should buy it now, because Digital Parchment Services is working on a new Strange Particle Press edition of High Aztech, that – among other things – will have a new cover, that and incorporated imagery by a famous Communist artist!

Don't listen to the puppies, folks! Dream the dreams you lust after. Create the futures you want, be they African, Asian, Aztec,Texan or Arizonan. We need more visions, not less. Everybody, let your imaginations go wild!

Don't worry if it scares anybody. They may pull dirty tricks and try to shut you down – it's been the story of my life – but it's worth the fight. If they can't face Aztec cultural warriors, they are doomed.

Besides, one persons dystopia is another's utopia. One culture, one civilization, isn't enough. Imagine more. It's what sci-fi is supposed to be all about.

Monday, April 20, 2015



A Fascinating Biography
By James Van Hise

"The eminent Star Trek reference book author" –Star Trek Expanded Universe

Gene Roddenberry was both a very human man and a cosmic visionary. Hardheaded, single-minded, a good friend and a bitter enemy, Roddenberry was a creative genius who pursued his dreams single-mindedly. A man who envisioned a future where humankind had outgrown war, he often fought unnecessary battles in his own life. Though his every project was a failure (Star Trek was cancelled after only three seasons), he created the single biggest phenomena in media history and gave the 20th century one of its most universal myths.

Roddenberry is the story of an almost larger-than-life man hose flaws were as outsized as his virtues. Even actors he made world-famous stars and millionaires spoke of him with mixed feelings. Final redemption came with the rebirth of Star Trek on the movie screen and launching of a new television hit, Star Trek: The Next Generation.

In Roddenberry: The Man Who Created Star Trek, journalist James Van Hise reveals Roddenberry's career as never before, in both its triumphs and failures. More importantly, it tells the story of the man behind the public figure.

You'll also find:

· Episode guides to all shows he wrote or produced.
· Roddenberry’s original Star Trek proposal sold to Paramount and CBS.
· Roddenberry’s original press release announcing the Star Trek: The Motion Picture.
· Production stills and other photographs, including a bonus gallery of images.
– Other exciting features.

You will also learn:
· Why Roddenberry became a cop and how it helped start his career as a television writer.
· The integrous stance that cost him a job with the big-budget adventure drama, Riverboat.
· What TV show he created and produced featuring four future Star Trek crew members – and who they were.
· Why he decided to write a science fiction show.
· Why Desilu Productions decided to back Star Trek when everyone else had turned it down.
· The original pre-production shape of the Enterprise hull.
· The name of the controversial movie he produced right after TOS ended.
· The incident that inspired him to give the mutants on Genesis II two navels.
· The strange reason Paramount fought against reviving the Star Trek series for years.
· Why Leonard Nimoy refused to appear in Star Trek: The Motion Picture and what made him change his mind.
· Why, after all his battles with Paramount, Roddenberry agreed to be the producer on Star Trek: The Next Generation.
· Why David Gerrold and D. C. Fontana both quit The Next Generation.
· Why Roddenberry trusted the Next Gen producers to be faithful to his vision after his death.
– And much, much more!

James Van Hise is a media journalist and the author of more than two-dozen books. He was the founder of the early and influential Star Trek ‘zine, Enterprise Incidents. He currently resides in Southern California.

"James Van Hise takes readers behind the scenes ... a useful reference guide for writers and Star Trek fans." –Trekdom

Available now in Kindle at for $6.99
eBook: Available ISBN: 9781615086153
or borrow FREE for KindleUnlimited members!

Paperback Coming: May 1, 2015
ISBN: 978-1511803731

For review copies, ebook only, contact

Strange Particle Press is an imprint of Digital Parchment Services Inc.

Distributed by

Friday, April 10, 2015

Classic Cover of Jody Scott's Cure It With Honey!

(from the Jody Scott site)

Here's a re-issue cover of Jody Scott and George Thurston Leite's Cure It With Honey (sporting the new title of I'll Get Mine and authors as Thurston Scott).

Coming soon from Digital Parchment Services is a brand new edition of Cure It With Honey!

Brand New, Never-Before-Published Story From Nebula Nominee Arthur Byron Cover!

(from the Arthur Byron Cover site)

Here's a spectacular treat: a never-before-published story from Nebula Finalist Arthur Byron Cover (and author of the newly re-released Autumn Angels): "His (Beloved) Revolutionary Sweetheart" up right now on Amazing Stories. 

Here's a taste:

His (Beloved) Revolutionary Sweetheart
Arthur Byron Cover

The assassin strides through a residential neighborhood of mixed sentients. The condition of the houses varies – some are well maintained, while others appear to have rotted from the inside. They tend to be close together and tall, with railed porches and never less than six gables, front, back, or side.

The place isn’t exactly quiet; syrupy music emanates from a window – the music is sanctioned but the assassin could swear the resident inside is wearing headphones, and can easily be listening to something else entirely. Children laugh and a male can be easily heard from an open kitchen window – seems his toast is inappropriately puffed; there is much derision from the rest of the family.

The residents are mostly humanoid, their pigmentation usually dark brown or green. His goose yellow skin stands out slightly, but it’s still common enough in the neighborhood as to not be unusual.

Up ahead, kids play street hockey, while adolescents slack atop a retaining wall. A couple of winged inflator kids bounce across the street, oblivious to traffic. Their mother, with her greater lift, crosses in two efficient bounces and corrals them.

The assassin ignores the police vehicle passing by on patrol. The driver, a reptilian, holds the hot dog he’s eating in his tail.

He arrives at the target’s home, a multi-gabled abode with an unadorned yard and a transparent fence. Early in his career he’d attempted to climb a fence not unlike this one. His efforts attracted the notice of the neighborhood watch and he was nearly lynched.

He finds it ironic that a being whose recklessness had ignited so many fuses would reside in such a humble dwelling, in a typical neighborhood on an average world, smack in the middle of a less important grouping on the edge of the civilized worlds.

In times past, the target had purportedly lived underground, but in truth he’d lived publicly and large. Amours warranted top coverage in the ether. His personal intrigues were scrutinized. His out of control children had been scandals.

The assassin was of the opinion the target deserved to live in a monastery, where he’d pour gas on his conscience and light it up after every meal.

But he wasn’t here to judge. Merely to execute. He has no idea he has already been spotted – by his target no less, from the midway gable.

The target’s name is Edward Everett Laszlo, and for nearly a century he has been either a savior or a toxic influence, depending on who you talked to.

Ed has survived numerous assassin attempts, a dozen accidental overdoses, showers of firebombs, and more STDs than can be obtained during a thousand orgies. He has vacationed in warzones, slummed with degenerates, and, in the opinion of some, deliberately provoked the doubt and resistance that are at the heart of the wave of insurrections currently sweeping the empire.

Ed’s life has been long and fruitful, but right now he’s fracking tired. Exhausted. His mind is going, while his body feels like it’s already got up and went. He views the presence of this latest intrusion on his continued life with resignation. Maybe the time has come to get his ticket punched – let history have its say.

Even so, his favorite soaps start new episodes next week. They just might be enough to live for.


The assassin walks through the gate with the intention of starting with whoever answers. Suddenly the front door slams open with a thunderclap, and through the egress zooms a stooped, emasculated figure, so old he looks mummified. Laszlo. His arms are thrown open as if he was greeting an old friend, but unfortunately so is his bathrobe.

The assassin is not the only one to notice. A few yards down a little girl shrieks. She has blonde pigtails and blue skin. She holds her raggedly doll by the neck, shakes it in Edward’s general direction, and denounces him in terms so profane the assassin fears his ears will burn.

Edward is unperturbed. “Nita, how many times has your mother told you not to play in Timmy’s yard? Go home!”

Nita sticks out a forked tongue. She turns but just before leaving, wiggles her pinky at them.

Damn it!” Edward is horrified and contritely ties his robe. “Sorry, babe, it won’t happen again, I promise you!”

The kid laughs.

Edward takes the assassin by the elbow with inappropriate familiarity and whispers conspiratorially, “The girl has problems. I’ve recommended counseling, but her parents seem to think it’s not necessary. But trust me, that girl’s destined to have her face showcased in the crime section. Who knows? She might be a future customer.

Can I offer you a cup of coffee? I know what you’re here for – a determinedly set jaw doesn’t work with your features, by the way – and I can’t stop you. But why the rush? I got nothing but time and it’s nearing rush hour. I’ve learned from bitter personal experience the species don’t mix well on crowded streetcars. Besides, you’ve got an aura blacker than a cosmic radio source. The empaths are going to look on you like a bonfire in reverse.”

Ed guides the reluctant gentleman through the front door. “So you might as well sit back and relax a spell, till traffic’s not so crowded. Furthermore, you might want to consider how much more pleasant it is chatting with someone than sitting around alone.”

The foyer extends several yards through the center of the house. Sitting and entertainment rooms lay on either side. Plastic plants abound. So do 3Ds – montages of Edward at various stages of his life: Ed receiving an honorary knighthood from a rebel queen; Ed on stage at a massive intra-species festival concert (attendance: half a million); Ed smoking a joint in a war zone (dead bodies lying everywhere); Ed surrounded by a bevy of naked babes, at least three of whom have tails (in a hot tub filled with a suspicious looking liquid).

Let’s talk in the kitchen, which is where the coffee is anyway,” says Ed. “Don’t worry; I’m not going to try anything. I couldn’t whup you in a rigged fight and the last mollusk I saw still moved faster than me. Nor, alas, am I permitted weaponry, be it activated verbally or sonically. The Home Owner’s Association won’t permit it. They actually send people around to inspect the premises for unauthorized weaponry, like we lived in the middle of a civilized cluster, can you believe it?”

Once in the kitchen, Ed, ever the dutiful host, pulls out a chair for his guest. “If you sit here, you’ll always have a good view of what I’m doing. I apologize for the silent ambience. I used to listen to music all the time, but I must have hit a fuddy-duddy stage, because all the modern stuff strikes me as derivative, in a bad way, and all the old stuff has become like time markers. Doesn’t matter. I always have these tunes bubbling up in my head anyway – hot lava in the brain! Know what I mean? Didn’t think so.

Hmm. Come to think of it, that’s tragic. In my experience, it doesn’t matter if you’re a leader or a grunt, a zealot or a drone, you never really discover yourself until you’ve immersed yourself body and soul in a first-rate piece of music. Don’t get me wrong. I’ve discovered myself in plenty of the most pleasurable second-rate ways imaginable, but music is still the best. For one thing, it helps you keep in touch with your emotions without ever having to actually to use them, which right there is something I think would appeal to you.

So sit back. Relax. Take a load off and return with me to those thrilling days of yesteryear.”

The assassin gazes out the window. It’s becoming dark. He sighs and switches on the outdoor lights.

Thursday, April 9, 2015


(from Ernest Hogan's blog)

There's a new review of Cortez on Jupiter in theVol. 5 No.2, April 2015 issue of The Cascadia Subduction Zone by Cynthia Ward. You can buy this issue or subscribe here. Meanwhile, here's some quotes:

. . . the novel undermines expectations on practically every front.

Really, Hogan's entire novel is subversive.

The author's most fundamental subversion is in the language itself. It's true that slangy, dense, not-immediately-accessible language, packed with eyeball-kicking neologisms and non-English words, is a cyberpunk specialty. However, loan-words from a First World power like Japan don't begin to pack the seditious punch of the language of America's own disenfranchised, and Hogan doesn't stop with Spanglish.

I could go on and on, trying to capture Cortez on Jupiter in a word.  Revolutionary? Gonzo? Well-written? Nahuatlfuturist? Anarchic? Recombocultural? Satirical? Cutting-edge? All are accurate (yes, even "cutting-edge," though the book was first published 25 years ago).

Saturday, March 28, 2015

On James Van Hise

James Van Hise is a well-known journalist specializing in film, television, and comic history. A long-time fan turned media historian, Van Hise’s credentials as both writer and editor are extensive. He was the editor of the pivotal comix zine Rocket Blast Comic Collector (1974-8) and the pioneering Enterprise Incidents: The Magazine for Star Trek Fans (1976-85). In the comic field he has written stories for Dread of Night, Green Hornet, Ray Bradbury Comics, and Real Ghostbusters, among others. As a journalist Van Hise has authored books on Batman, Dune, Conan, Star Wars, The Lone Ranger, Dick Tracy, Stephen King, and Star Trek.



Wednesday, March 25, 2015

Why Gene Roddenberry became a Cop and How It Helped Launch His TV Writing Career

From the forthcoming biography RODDENBERRY: The Man Who Created Star Trek by James Van Hise.

Throughout the late 1940s Gene continued to write for flying magazines. In 1949 the writing bug led him to quit his airline job and move to Los Angeles, "where I knew television eventually would be based. But I was a little early, and to make ends meet I joined the Los Angeles police department." He had come out from New York in 1949, "to see my dear and old friend, who was then Inspector William Parker in the Wilshire Division. He wasn't very enthusiastic about my plans. In fact, he did his best to talk me out of it." But Gene disregarded Parker's advice and joined the LAPD, following in his father's footsteps.
Looking back on that time, Gene stated that he didn't think he made a very good policeman himself because he hated writing tickets. He was probably the only policeman in Los Angeles who was a card-carrying member of the American Civil Liberties Union. Yet he never regretted the five and a half years he spent with the Los Angeles Police Department. "It gave me a good look at life and death. Policemen see things that you just don't ordinarily run into during your life. In a few years in police work you see life really stripped bare. It's awfully good experience for a writer."
Since he had come to Los Angeles to write for television, he knew he needed an agent and soon hatched a scheme to secure one. Gene also knew that a well-known writer's agent drove through his beat each day, so he just patiently waited until the man committed a traffic violation. Instead of writing a ticket, he got the agent to arrange an interview at Four Star Productions.
Gene dressed casually for the interview, and as he became more involved in disclosing his concepts and story ideas, he removed his sports coat. After that the executives were really hanging on his every word. It was only later that he realized that under his coat, he'd been wearing his shoulder holster and .38 police special.
He sold his first script to television in 1951. At the time he wrote under the name "Robert Wesley" (a combination of his brother's first name and his own middle name) because the Los Angeles Police Department frowned on its officers moonlighting.
Falling back on his ongoing experience as a police officer, Gene Roddenberry sold a script to Dragnet. He also applied his experience to scripts for such shows as Mr. District Attorney.
Gene said, "Then one day my wife, Eileen, said, 'Look, Gene, your job as a policeman brings you $435 a month but your writing hobby is earning $1100 a month. Why don't you stick to your hobby?' We went to dinner, to a Chinese restaurant, to talk it over. I opened a fortune cookie and it read: 'A change of name will bring you fame.'"
Gene had been selling his scripts under the name Robert Wesley. "I opened another one and it read, 'Tomorrow is an excellent time to change jobs.' Intrigued and amazed, I opened still another one and this message read, 'You may be sure of it.'
"That did it!" he recalled. "I quit as a policeman the next day. I still have those fortune cookies framed and on my desk."

Look for the forthcoming biography RODDENBERRY: The Man Who Created Star Trek by James Van Hise coming in April 2025.